The experiments with the needle keepers continues and I got to wondering just what the cotton threads I had bought in South America would look like stitched into these Japanese patterns.
I bought these in the town of Chichicastanago. (I see there are several songs of the same name.) I was blown away by the colour and the whole atmostphere of the town. These same markets have been held for 100's of years before the Spanish arrived.
There were threads up to the ceiling and beyond and the colours were just so vibrant. The shop was on the balcony level of the market with the downstairs being for fruit and vegetables. The markets are held two days a week and the women come in to buy their threads for weaving.
It wasn't until I got to Solola that I realised that the threads in this shop were for weaving, not embroidery. Everyone was dressed in their best even the shop vendors. The colours and bling made the heart sing.
So, thinking I could use these threads for embroidery I bought up big, knowing that I may never pass this way again. I bought a hank of every colour that was available.
It wasn't until I got home that I realised that the thread was too fine and unmercerized. But now that I am using a linen base for my stitching my thoughts returned to these threads. I decided to use 4 strands and got stitching.
The thread is beautiful. I am in fact stitching 'needle weaving' and weaving is what it is made for. I prepared the thread they same way I would prepare a sashiko thread, cutting the hank and plating it. Worked like a charm.
I have ordered more little bowls as I now have a huge stock of threads. The bowls themselves are not expensive, but, the freight is. I will use them for classes and for gifts, they are quick and easy to stitch. And I was asked by a friend if the lid lifts off for storage of pins below? It is now, that is a great idea. This has led to some changes in how I am preparing the bowls. They come as raw wood and I have been spraying them with a clear varnish.
I will now spray the inside of the bowls as well so that the pins slide out easily and I will have to look at the finish of the embroidery under the lid. Maybe a lining?
The next thread I want to experiment with is this one which is resist dyed.
You would see the men (not the women) wrapping the thread ready for dying. This was done on a frame and there seemed to be a method in just where the ties were applied. I think this was done for a form of Ikat weaving. The ties were not random but they were terrible to get off.
And what a tangle from the dye vat!! I managed to stab my finger with the scissors tying to do this. I'm sure they had a method behind all these processes but, as my Spanish is so rudimentary and most of the Mayans speak their own indigenous language and Spanish as a second language, it is all a mystery to me.
Watch this space.