Kogin Projects Feed

WIPW

All my efforts have been focused on getting this Kogin sample finished, and it is finished.  Although I think that I will switch the beige curtain fabric to a beige hemp.  It will make the bag sit better.

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I wanted it to be a scrappy fabric bag and used fabric pieces given to be by friends brought back after their trips to Japan.  Everytime I look at it I will think of them.

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In the scappy theme I used old fabric swatches that I had kept from my days as a Buyer (1970's) .  There are not Japanese but they are a light voile which was the fabric weight I wanted.  A bit of a surprise when you look inside the bag!

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Because the fabric on the top edge of the bag is on the bias I put a strip of fabric on the straight of grain to stablise it.  Then I copied the top edge from that on an antique rice bag that I own.  It is a great way to thread the cord and the top of the bag shuts up tight.  As well as a teaching sample I aim to use it to hold some of my quilting equipment.

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Monday Morning

It's Monday and I don't know what I have done over the past few days.  Oh, I know, I was gardening and have managed to put my neck out.  When I was a kid I was knocked down by a car on a pedestrian crossing.  It was a surreal experience.  I don't remember seeing the car before it hit me but I must have because I jumped up into the air and didn't go under the wheels.  I do remember being in the air and thinking,

"you are going to do a backwards flip, you have never been able to do one of these before.  You are going to come down on the median concrete strip, tuck your head in and roll.  Also, I'm going to wreck my school blazer and my Mother will kill me."

All that in just a few seconds.  I did tuck my head in and roll but I fractured my skull and cracked a bone in my neck along with hurting my leg.  Now that I am getting older these things are coming back to haunt me. My neck is the worst and I am usually pretty careful but I got carried away with a new hoe I bought at the hardware store.  

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The soil in my garden is terrible.  Someone must have put down a plastic layer and then added lots of gravel in an attempt to break up the heavy red clay.  I need to break it up and get the plastic out.  As we live by the sea I also have to contend with the wind and salt air.  Behind the house is sheltered but over run with ferns.

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  I have more I want to do in the garden but will have to put it off for a bit while I recover.  I think pots will be the best option. 

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I now actually have some flowers I can pick from the pots.

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So I have been stitching.  Some samples for a new "Introduction to Kogin" class. 

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One thing a teacher has to have at the forefront of their mind when teaching beginners is that you have to think like they would.  Now, once you reach a certain level of compentancy this isn't easy to do.  We all remember that Math teacher who couldn't understand why we couldn't see it.  He couldn't explain it at a beginners level. Technically what happens  is that our learning has switched into the automatic, like when you know how to drive a car. We don't have to think about it we just know.  But the beginner hasn't got here yet and is still at stage 1.  It is not easy to switch your brain out of that automatic mode.

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  So, that is what I have tried to think about when planning this project.  I am trying to keep it simple but have some challenge in there as well.

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Language difficulties

It is so difficult to view a Japanese site using Google and I have to use Google so that I can have them BADLY translated.  I came across a reference to a Kogin stitching competition that was held this month (I think).  From what I can gather it will be in the Amuse Museum in Toyoko.  All that aside, there was a reference to the work of a "Mr Kamata Hikariten" and some illustrations of his work.  Lots of curves.

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And the other images show some fantastic work.

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It is so frustrating just getting glimpses of this work and not being about to find out more.  I suppose that's how the other 80% of net users who do not speak English feel as well.


The month of experiments

This month is turning into 'The Month of Experiments'.  I have lots of ideas that I want to test out. 

I haven't used any of the Hishi Sashi patterns in my work for a while and in another piece I am designing I thought the smallest, 11 count patterns, would work well.  The only draw back is that there are a limited number of designs in this count.   Because they are small it takes time to cover the fabric.  It has taken a day to finish this small swatch. 

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Then I had to deal with the limited number of designs. Queenie sent me a comment about my last post on swatching that got me thinking.  Maybe it would be alright if I 'adjusted' some of the designs I had to expand the range of designs available.  So I did.  Oh the guilt I felt!  Just shows how 'brainwashed' I am about following rules and regulations.  All those years as a school teacher had an effect.

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Straight lines & Curves

I have thought of a new design for my next Kogin project but I am finding it difficult to realise it.  The problem is that Kogin embroidery is all about straight lines.  All the designs are mainly based on a diamond pattern.  There are some patterns that are used as borders and again these have straight edges.  My pattern is about curves.

I have drawn out a template of the curve and then tried drawing this using my computer program.  It looked fine but experience has taught me that what might look fine on the screen might not translate to the fabric.  So I have been 'swatching' and I can see that the bottom edge of that curve needs some tweeking.  I may have to look at stitching through a thread.

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The other problem to be solved is that the design has to go across a seam.  I have drawn this so that when the seam is sewn the missing parts of the design on the left of the pattern will be stitched in.  This part of the pattern will appear on the far right of the printed design.

One of my goals for this year is to get the first draft of my book on Kogin Embroidery completed.  I have this project on track.  But the more I think about it I am understanding that my experience of this typed of embroidery is very coloured by my Western Culture.  My Embroidery looks like the traditional technique but the experience of stitching it is totally different.  Trying to use curves where there are usually straight lines just highlights this.

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Something in the water

I am having trouble with colours running in the wash.  Not big trouble, but trouble all the same.  I think there must be some natural chemical in our water which is pumped over from Stradbroke Island.  I know the water originates up on the downs,  filters through the aquafers and then rises through the sand near the sea.  I bought some new tea towels and washed them before they were to be used.  My husband put in an old T shirt that had been washed over and over with that wash and the tea towels now have a slightly pink tinge.

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The completed Kogin bag kit also is a problem.  Before i wet the piece for blocking the thread was very white.

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Now that I have sewn it together I sew the thread has turned slightly blue.

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I never had this problem on the mainland.  The farmers and others on the Downs have been complaining about contamination of their water from mining and I wonder if this has anything to do with this? I am going to have to be careful with washing my embroidery in future.

As to the bag I am quite pleased with the finished product.  I have made the straps a bit longer so that it can be carried over the shoulder, the original was to be carried in your hand.   I also dug out some precious Japanese fabric for the lining.

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This is cotton fabric but the fibre is so long it feels like silk.  It is a light weight fabric with a lovely woven pattern and has then been printed.  I put a large pocket in the bag to hold bibs and bobs.

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WIPW

The Xmas decorations are all finished.

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My friend Angela had given my some lovely Xmas fabric last year and it was perfect for the backs of the decorations.  One thing I should have done was to allow a 1/2" seam allowance.  Having a 1/4" seam allowance wasn't enough with that 32 count linen I had used.  I had thought of using linen for the backing but I think the closer weave one I selected is better.  I couldn't really turn those corners through cleanly so have sewn seed beads on each corner.  Actually, I like the effect that this creates.

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These are now off to the Queensland Embroiderers' Guild to be part of their Xmas raffle.

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My current WIP is the Kogin kit.  The designers of this kit used an even count design and made it an odd count.  Unsettling when you try and count it out.  It just doesn't conform to the traditional way of counting out these patterns.  I did have to redraw the pattern to understand the graph.  That's fine, but my brain is now wired differently after stitching out all those other patterns.

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When I said I was having a break I was actually in hospital having a camera pokes down into my intestines to see what was happening down there. Due to an auto immune problem I have a dry throat most of the time and that camera thing upset this and sent germs into my ear and as a result I had a middle ear infection.  ( The results of the camera thing showed that I had an auto immune problem, which I already knew.)  The middle ear thing is not good for concentration. Vomiting and dizzyness is off putting, especially when counting, so my Kogin kit, which is supposed to be a relaxing activity, is driving me up the wall.  I think I have got the count wrong and will have to start again once I get over this infection. 

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Some old/new Kogin stitching

Back when I first discovered Kogin Embroidery, which is a number of years ago now, I bought a couple of kits to stitch.  I didn't stitch them.  Or rather I started and ended up in a mess because I really had no idea of what to do.  The fabric was used for my samples and I put the instructions in the cupboard.  Then in the unpacking I came across the patterns again. 

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Now I know 'how' to stitch them I think that these need to be completed.  So with this in mind I am starting on Kit No 1.  It looks a lot bigger in the photo than it is in reality and I can now see why I was having so much trouble with the stitching.  It is the way the patterns are printed.  The count should be odd but it has been printed even, or it looks that way. I think that I will need to redraw the patterns again before I start.  This is my stitching for relaxation.  They might make nice Xmas presents?  But first I will have to sit at the computer for a while to get the pattern worked out.

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More Kogin

At my last advanced class I added a small project as an after thought.  The after thought was that the ladies who stitched the 'Hishi (beautiful) Sashi (stitch) patterns did so on other fabrics once the railway arrived.  They would buy bundles of old cloth as a group and then clean them, sometimes with fish scales, and then stitch with wools, that had by this stage become available.  This was the beginning of coloured thread stitching.  Looking at some of the examples in the Amuse Museum the mind just boggles at the skill of these stitchers.

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So with this in mind I included some curtain fabric which isn't completely even weave and has a good percentage of synthetic content.  I also included some of the beautiful hand dyed Shashiko thread to stitch with.  No one liked it and all quickly returned to the traditional hemp fabric.  So, I have stitched out the sample .

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A full run on one side and a diamond on the other.

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I used a light interfacing on the back of the curtain fabric, but I'm not sure it needed this.  I then made tabs to hold the cord and sewed this in with the lining.  It makes a very roomy bag that opens wide to see what you have inside.

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 And I am quite pleased with the finished bag.

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Perhaps this might inspire these ladies to have another try?

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Advanced Kogin Class

I had a most enjoyable day on Saturday past, teaching an Advanced Kogin class at the Queensland Embroiderers' Guild.

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I took my stock of threads with me so that the ladies could select their own colours to do their stitching.  I think only one person stayed with the original colours and everyone else had something different.  Some people found not stitching in a frame different and all preferred the hemp fabric to the linen I had included for a small project.

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Having a class of students who already understood the basics of Kogin Embroidery and a love of counted thread work sure made the teaching easy and enjoyable.

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Thank you ladies for a great day.

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